GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY · GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY · GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY · GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY · GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY · GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY · GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY · GOOD WALLS · QUESTIONABLE TASTE · NEW WORK EVERY SECOND SATURDAY ·
Bad Art Sacramento
the whole philosophy

Good walls.
Questionable taste.

We live here. On the grid, where you cannot walk a block in Midtown without passing a café with a beautiful room and a sad, blank wall. Bad Art Sacramento started with that observation, plus a second one: a lot of great art never makes it out of an Oak Park studio, and a lot of gloriously bad art is just sitting in a Land Park estate sale waiting for a good frame.

So we curate. We hang real work from local artists and Second Saturday regulars right next to the velvet clowns and crooked Delta seascapes we cannot stop rescuing from the Fab 40s. Some of it is genuinely beautiful. Some of it is beautiful in a way you have to squint at. All of it looks better than a blank wall, and on a good wall, even the questionable stuff sings.

Our walls run from Midtown cafés to Curtis Park taprooms to the Del Paso arts district. Venues pay nothing. Artists get a fair split and a real audience. Buyers get something with a story. We take a modest cut and keep the whole strange machine turning.